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The sounds and vocal manifestos were inspired in the poems of the writer Fernando Pessoa and reflect a society that tends to neglect the individual in order for capitalism culture. Although major cities like London are inhabited by millions of people, the feeling of living in an urban environment can be very isolating. Nostalgia also suggests that society does not seem ready for an alteration of consciousness and portraits humans as entirely anonymous beings. The not dissolution of the ego has robbed us of life's meaning, made us enemies of the planet and to the experience of culture.

Culture plays a crucial role in actually making language possible because languages do not originate in individual brains; they emerge only in culture. They are negotiated, like treaties, and are assimilated by individuals.

Words can be more easily related to the listener if they are presented within a context of a soundscape, rather than in isolation. Nowadays, there is an absence of a sense of community; therefore, this musical piece attempts to direct the listener to past events in history. This act triggers a sentiment of nostalgia, a sense of remembering times where human touch and social memories were shared between individuals.

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from Disintegrated Nature, released September 10, 2020
Violin by Alicja Herma
Vocals by Cary Crankson

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Deep Dive Sound London, UK

I create soundscapes in a variety of moods and shapes but mainly I favour the sound of stories embedded into objects and places, a feeling of great immediacy, the phenomenological sense of place and time, the despair for that loss, a memory.

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