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An ethereal recording of a boat engine. Here, the practice of recording itself is about distance, between the recordist, the microphone and the source the recordist wants to record. The recordist has to be aware of the gesture he makes, in a meaningful way. Just well before the boat stopped I placed the recording gear to capture the natural decay of the engine. The moment of capturing that specific sound was consciously desired. Although the sounds of the rainforest are always pleasing, my approach to record is always personal and natural. I don't filter out unpleasant man-made sounds to make my composition more beautiful as the idea is to share my experience with the listener as raw as I had experienced.

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from Disintegrated Nature, released September 10, 2020

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Deep Dive Sound London, UK

I create soundscapes in a variety of moods and shapes but mainly I favour the sound of stories embedded into objects and places, a feeling of great immediacy, the phenomenological sense of place and time, the despair for that loss, a memory.

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